Academic Writing
EDITED BOOK
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Makeshift Chicago Stages: A Century of Theater and Performance edited by Megan E. Geigner, Stuart J. Hecht, and Jasmine Jamillah Mahmoud. Evanston, IL: Northwestern University Press, 2021.
ACADEMIC PUBLICATIONS — ARTICLES & REVIEWS
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“Dancing, Walking, and Brace: Black performance in Seattle emerging from the pandemics,” in Movement Research Performance Journal #56, Summer 2022.
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“Sighting Segregation Black aesthetics and the materiality of art in St. Louis and Ferguson,” in The Material World of Modern Segregation edited by Iver Bernstein and Heidi Kolk, 2022.
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A book review of Worldmaking: Race, Performance, and the Work of Creativity by Dorinne K. Kondo. In TDR: The Drama Review 64.3 (2020): 179-181.
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“Space: Postdramatic Geography in Post-collapse Seattle,” in Postdramatic Theatre and Form. Edited by Michael Shane Boyle, Matt Cornish, and Brandon Woolf. London: Bloomsbury, 2019.
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A book review of Drop Dead: Performance in Crisis, 1970s New York by Hillary Miller. In Modern Drama 61.1 (Spring 2018): 118-120.
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“An uncharted persistence: Alternative minoritarian theater in Chicago,” in Theater and Cultural Politics for a New World, An Anthology. Edited by Chinua Thelwell. London and New York: Routledge, 2017.
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“Right to the Artistic City: Performing Engagements Beyond Austerity in Post-Collapse Chicago” in the French Review of American Studies special issue Reclaiming the Right to the City in the American Metropolis. French Review of American Studies 148 (2016): 84-97.
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“Brooklyn’s Experimental Frontiers: A Performance Geography.” TDR: The Drama Review 58:3 (August 2014): 97-123.
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“‘What a Body Can do’: A praxis session by Ben Spatz, Zihan Loo, Christine Germain, Donia Mounsef, Ira Murfin, Justin Zullo & Krista DeNio.” Performance Research: A Journal of the Performing Arts. 19:3 (August 2014): 150-151.
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“Beyond Capitalist Value: Experimental persistence in the austere city.” Performance Research: A Journal of the Performing Arts 18: 2 (June 2013): 80-91.
“Black love? Black love!: All Aboard the presence of punk in Seattle’s NighTraiN.” Women & Performance: a journal of feminist theory 22: 2-3 (November 2012): 315-323.